
In Conversation with Matteo Bianchi, Founder of Daruma Design
Welcome Matteo. Tell us, how did your interior design journey begin?
When I moved to London 20 years ago, I decided to take up several courses I had always been interested in, from shiatsu to interior design. Upon starting the interior design course, a memory from my childhood came to me of spending hours drawing everything and anything. Reflecting on that memory made me realise this was the career I wanted to pursue though I had no education, budget or contacts. I am glad I was not deterred from pursuing interior design and listened to my instinct than my logic.
What is your biggest influence as an interior designer?
My biggest inspiration would be Mother Nature and society – when you look at society, you get a lot of insight on human beings altogether and how they interact with nature.
Being born in Venice, what is the most iconic building of all time?
When I was a teenager growing up in Venice, I was surrounded by magnificent buildings from canals, bridges, palazzos, in effect I was spoilt for choice. Like most, it is human nature to not appreciate what you have around you until you no longer do. Funnily enough, when I was younger, I did an exchange program to Paris, and at that time the Centre Pompidou was so different from anything I had seen before. It left a lasting impression on me. So perhaps seeing that building was the first instance where I knew I wanted to create a difference and inspired me to do that as an interior designer.
What has been your favourite colour combination so far out of the projects you have worked on?
My favourite colour combination is from a project we did for a members club based in Cavendish Square, Mayfair. We did a dramatic clash between the use of Mylands' Mayfair Dark™ No.218 and Soho Pink™ No.266.
You have been a long term user of Mylands. What do you like the most about our paints?
What I like the most about Mylands is the outstanding quality. The paint itself is designed and made specifically for the English environment - which is one thing you learn when you arrive in the UK after living a lot of your life with sunnier weather. When working on interior design in the UK, you don't look for the sun or the natural light and how it interplays with the spce, you embrace the darkness and the grey skies.
Walls in Mayfair Dark™ No.218 and woodwork in Bloomsbury™ No.267
All images: Walls in Temple Bar™ No.70 and woodwork in Bloomsbury™ No.267

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